Gekko's Beehives appear as a random collection of everyday objects. The use of a single paint colour bestows a uniformity of appearance upon each of the component parts. Yet there is no harmony in the arrangement. The discordant hodgepodge of items appears cluttered, even competitive; each vying to attract the gaze of the viewer. 


A miscellany of childhood toys, obsolete electrical components alongside discarded utilitarian and personal items; Gekko’s Beehives rail against the modern world’s preoccupation with material accumulation and the relentless assault by information, images, sounds and other stimuli, which render our psychological-self paralysed and impotent.